2 new artworks- Forgiveness and Prayer to the devil.

 

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“Forgiveness” is a photo of my Dads farm, where he grew up, alongside a recent interview with him about his feelings about what happened to him after the second world war.. “Prayer to the devil” is actually a letter I wrote to the Pope, but the reference to the devil is in the letter itself.  I do worry that my letter might make me look a bit foolish, but it is actually how I feel and what I did. I received a kind reply but it doesn’t actually answer my questions, it suggests I go to a local priest. I have further questions now, what penance would be given to those who  executed unarmed defenceless Catholics in revenge for war? Or those who fought the war with the germans? Did Tito, an atheist actually ask for forgiveness and who from? What sort of people go to heaven?  Surely it can’t be possible to send a good man like my dad to hell, even if he can’t forgive those who tortured him and executed his friends.

These two latest photos are using much more text. I find the subject so complex that I can’t find any other way to do them. It has made me think quite deeply about why text with a photo might be different from using a video with sound and visuals. also which might be better and why. I am also editing the video interview but I haven’t finished that yet. I haven’t reached any conclusions as to which is better, but I have understood some of the differences. Obviously watching a video enables one to see and hear the emotion in the voice and person, this is absent from just text with a photo. However, if one reads text then the words are being internalised and the reader is saying them as though saying it themselves.  I’m not sure which one would bring about greater empathy as I know that when I read text,  I read it to myself in a monotone voice. I am also too close to the subject to be objective in my analysis. This is something I need to experiment with.

Author: Tina Reid Peršin

I am an artist working with photography. I like to work by using performance and then photographing the performance. I seem to be increasingly using the moving image alongside the photographs. I spent over 15 years working in mental health, whilst also practising art in a studio in Spitalfields market. I then became involved in regeneration projects and was one of the team who won a lottery grant for Hastings Pier to be rebuilt. I am now concentrating more on my art practice.

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